"È troppo tardi ormai per avere paura."
Fino all'ultimo respiro
Michel Poiccard, ladro d'automobili, uccide un motociclista della polizia stradale che lo inseguiva per un sorpasso proibito. Tornato a Parigi, ritrova Patrizia, un'amichetta americana di cui s'era innamorato. Intanto la polizia, che l'ha identificato, lo ricerca.
Dettagli
Parole chiave
Case di produzione
Immagini
Cast
Cast principale
Jean-Paul Belmondo
Michel Poiccard / László Kovács
Jean Seberg
Patricia Franchini
Daniel Boulanger
Police Inspector Vital
Henri-Jacques Huet
Antonio Berrutti
Roger Hanin
Carl Zubart
Van Doude
American Journalist, Patricia's Friend
Claude Mansard
Claudius Mansard
Liliane Dreyfus
Liliane / Minouche
Michel Fabre
Police Inspector #2
Jean-Pierre Melville
Parvulesco the Writer
Jean-Luc Godard
The Snitch
Richard Balducci
Tolmatchoff
Simili
Un colpo di fortuna
I miserabili
Guardato a vista
Anthony Zimmer
La maschera di Dimitrios
I senza nome
Testimone d'accusa
Recensioni degli utenti
Vedi tutto su TMDBA key film of the late Fifties/early Sixties French New Wave, À bout de souffle (Breathless) opens with suave lowlife Michel Poiccard (Jean-Paul Belmondo) stealing a car. When he's caught speeding on the way to Paris and pursued by the police, Michel kills the officer. Desperate to collect some money owed and make his escape to Italy, he hides out with Patricia (Jean Seberg), an American girl he h…
Jean-Paul Belmondo spends much of this film in just his boxers after his "Poiccard/Kovacs" character pinches a car, kills the pursuing police officer and the ends up taking refuge with his new journalism student friend "Patricia" (Jean Seberg). She's not quite aware of the extent of the trouble her new beau is in when he sets about trying to convince her that he has some cash coming and that they …
Summary: 10/10: a landmark film that invented the grammar contemporary cinema still speaks, and a sharper cultural critique than it's often given credit for. Taken out of its historical moment, Jean-Luc Godard's first feature isn't necessarily thrilling. But for 1960, it was groundbreaking, a film that shattered conventions so thoroughly that its innovations are now invisible, absorbed complete…