
Bella di giorno
Nella cornice parigina degli anni Sessanta del Novecento, Séverine, la moglie di un medico, è afflitta da alcuni problemi psicologici. La doppia personalità della donna e l’oscillare tra realtà e finzione sono il filo conduttore delle circostanze. Vince, nel 1967, il Leone d'Oro alla 32ª Mostra internazionale d'arte cinematografica di Venezia.
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Vedi tutto su TMDBA wonderful parable of love, relationships and the place in both for fantasy and imagination. Certainly much more enjoyable to watch, not to mention better acted and directed, than recent delvings into that subject matter, like Lars von Trier's Nymphomaniac (though that wasn't the latter's point). Intensely beautifully photographed, with wonderful performances, most especially by Catherine Deneuve…
A blunt surprise insofar as the movies stark depictions of both a young woman's eccentric erotic fantasies alongside a rather harsh alternative lifestyle. In the middle there is a very conventional and ordinary real life tale of a married couple where the husband has no idea what's going on within his wife's mind, and life, both past and present. Reality and fantasy seem to blend in a young woma…
The slightly kinky opening scenes of this film go some way to explaining just why "Severine" (Catherine Deneuve) isn't so satisfied with her handsome yet sexually uninspiring husband "Pierre" (Jean Sorel). Indeed, quickly we gather that they are yet to consummate their nuptials at all! Increasingly exasperated, she hears of a "facility" run by "Madame Anais" (Geneviève Page) where some of those ki…

























