
"Monstros se revelam de várias formas."
Rua Cloverfield, 10
Uma jovem sofre um grave acidente de carro e acorda no porão de um desconhecido. O homem diz ter salvado sua vida de um ataque químico que deixou o mundo inabitável, motivo pelo qual eles devem permanecer protegidos no local. Desconfiada da história, ela tenta descobrir um modo de se libertar sob o risco de descobrir uma verdade muito mais perigosa do que seguir trancafiada no local.
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Ver tudo no TMDB> Adds a new perspective to the original film yet it retained the mystery. Initially it was called 'The Cellar', but later it became spin-off to 'Cloverfield'. It was a regular type screen narration, unlike the first film as a found footage style. But if you the original film fan, especially monster film fan, you might end in a disappointment. Because it was a psychological-thriller-mystery tha…
Though I tend to go for older science fiction, and, on top of that, from proven directors, two things sold this for me (and I ALMOST ended up seeing this at theatres as a result): John Goodman and J.J. Abrams--the first being solid in everything he does and the second with the Midas touch, especially when it comes to my favourite of genres. I really admired its originality. The cloying nature of t…
People are strange creatures. You can't always convince them that safety is in their best interest. 10 Cloverfield Lane is directed by Dan Trachtenberg and collectively written by Josh Campbell, Matthew Stuecken and Damien Chazelle. It stars John Goodman, Mary Elizabeth Winstead and John Gallagher Jr. Music is by Bear McCreary and cinematography by Jeff Cutter. Michelle (Winstead) awakes fro…
This film started out like Misery and Moon but turned into The Mist. I knew that being a sequel to Cloverfield (which I liked) it might be about aliens but I forgot about this due to how well written it was. It constantly kept giving you questions and contained a lot of tension filled confrontations with John Goodman (thanks to the great screenplay by Damien Chazelle). I kind of forgot the d…




















