"Um mundo onde os robôs têm sonhos e desejos."

A.I.: Inteligência Artificial

Filme2001•2sa 26dk•star7.1(6.890)•trending_up15
DramaFicção científicaAventura
Diretor:Steven Spielberg

O primeiro menino-robô programado para amar, David, é adotado por um funcionário da Cybertronics e sua esposa. Apesar de aos poucos ele ir se tornando o filho do casal, uma série de circunstâncias inesperadas dificulta a vida de David. Sem a total aceitação dos humanos ou das máquinas, o menino-robô embarca em uma jornada para descobrir seu verdadeiro mundo.

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Detalhes

Título originalA.I. Artificial Intelligence
StatusReleased
Data de lançamento29 de junho de 2001
Datas de lançamento
Argentina:
Cinema - 6 de set. de 2001
Austrália:
Cinema - 13 de set. de 2001 (M)
Bélgica:
Cinema - 24 de out. de 2001 (14)
Bulgária:
Cinema - 5 de out. de 2001
Brasil:
Cinema - 7 de set. de 2001 (L)
Duração2sa 26dk
Orçamento$100,000,000
Bilheteria$235,926,552
Lucro$135,926,552
País de origemEstados Unidos
Idioma originalinglês
Idiomas faladosEnglish

Avaliações de usuários

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Peter McGinn6/10

I bought this on DVD many years ago, convinced I had never seen it. I finally got around to watching it, and it wasn’t until I reached the robot demolition circus (words I bet I have never seen in the same sentence before) that I realized I had watched this movie before. That is a memorable sequence. In many respects I thought the movie was well made: the special effects, the deep thinking behi…

Andre Gonzales4/10

The movie was actually pretty good. The ending sucked to me though.

CinemaSerf7/10

With their son "Martin" supposedly out for the count, "Henry" (Sam Robards) procures a solution for his wife "Monica" (Frances O'Connor) in the form of "David" (Haley Joel Osment). He is a state of the art android. Not robotic in function like previous models, but an adaptive model that can learn to love, to feel, to be... Initially very apprehensive, she gradually bonds with the curious and frien…

badelf6/10

The coincidence of the release year matching 2001: A Space Odyssey feels almost too on-the-nose, especially given that this was originally Stanley Kubrick's project before his death, eventually passed to Steven Spielberg. One wonders if Kubrick would have brought the clarity of vision that this film desperately needed. The screenplay wanders terribly, unable to decide what it wants to be or say…

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