Faces of Death

Film20261sa 37dkstar5.7(137)trending_up12
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Yönetmen:Daniel Goldhaber

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Faces of Death Collection

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Faces of Death Collection

Detaylar

DurumReleased
Vizyon Tarihi10 Nisan 2026
Yayın Tarihleri
Kanada:
Sinema - 10 Nis 2026 (18A)
Birleşik Krallık:
Galası - 18 Ağu 2026
Galası - 28 Ağu 2026
Dijital - 7 Eyl 2026 (18)
İrlanda:
Dijital - 7 Eyl 2026
Porto Riko:
Sinema - 23 Nis 2026 (R)
Amerika Birleşik Devletleri:
Galası - 5 Nis 2026
Galası - 9 Nis 2026
Sınırlı - 10 Nis 2026 (R)
Süre1sa 37dk
Bütçe$7,400,000
Hasılat$2,610,000
Kar-$4,790,000
Yapım ÜlkesiAmerika Birleşik Devletleri
Orijinal Dilİngilizce
Konuşulan DillerEnglish

Yapım Şirketleri

Legendary PicturesAngry FilmsDivide / Conquer

Kullanıcı Yorumları

TMDB üzerinde tümünü gör
Leno8/10

I remember the original faces of death was really trending when I was in elementary school and the children would "smuggle" their VHS to each other to scare the shit out of the other children. This movie is surprisingly good for a revisiting of faces of death. In a world where everything that matters is getting those likes in your social media posts, Margot goes to the extreme and sees her sis…

Chris Sawin1/10

You’d think that a horror film like Faces of Death would at least have some decent kills, but even those are uninspired and are more straightforward than anything else. Faces of Death feels like a lazy reboot; controversy has been replaced with apathy, and a cast of characters and performances you want nothing more than to reach through your screen and slap the s**t out of. Even the film’s meta as…

hmwalker10/10

Faces of Death for the social age, where gore and snuff are no longer regulated to behind the counter, illegally-sold Video Nasties, and cult film circles that shared videos around before early internet uploads. (Coincidentally I watch one such tape ‘Grave Robbing For Morons’, which think it a quaint little oddity). Point being, gore is mainstream now. What is shocking anymore? What offends? You c…

Sierbahnn5/10

This is a meta-remake And it is a poor effort at that. It is too well-aware of itself, and its context, has some seriously strange casting-choices, and is at times shot as it deliberately trying to defuse any tension the scene might have. It is frustrating, because a movie like this could do something good, but it falls flat, and never truly gets up again.

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