"丈夫，妻子……还是强盗？"
罗生门
这部引人入胜的心理惊悚片探讨真相的本质与正义的意义，被广泛视为影史最伟大的作品之一。四名当事人对一名男子的被杀及其妻子遭强奸的事件给出了截然不同的说法，导演黑泽明以极具冲击力的影像和巧妙的闪回手法呈现这段罗生门。这部雄辩的杰作在国际影坛引起轰动，革新了电影语言，并将日本电影——以及一位气场十足的新星，名为三船敏郎——带向了西方世界。[标准收藏]
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在 TMDB 上查看全部Rashomon beguiles through the torrential downpour of fabrication. “It’s human to lie. Most of the time we can’t even be honest with ourselves”. Honesty. Deceit. Contradiction. A crucial part of human preservation is the requirement to lie. Intentional or accidental, it’s within our ancestral blood. The unprejudiced can succumb to the immoral values of deceit, either through meticulous storytelling…
In what seems like an endless, almost biblical, rainstorm we meet three people sheltering in the ruins of an old gatehouse. Each has their own story to tell of the rape of a woman and of the murder of her husband. It was the woodcutter (Takashi Shimura) who discovered the body and who alerted the authorities. It was those authorities that conducted a trial at which a priest (Minoru Chiaki), the wo…
**A good movie.** Despite acknowledging the quality and attention to detail, I can't really enjoy Japanese cinema. Maybe because it's so different from what we have around here. But even being so different, we have to recognize the talent of those who have it. Akira Kurosawa is a director with a sharp eye and detail, who knows how to direct the people under his command and extract from each one…
I rarely ever give a film a perfect score, but undoubtedly Rashomon deserves it. I first watched this film at the tender age of 8, so 6 years ago now, and it has lodged deep in my head ever since. The film is beautiful in a way no other film is, and the sculpting of each character is simply perfect. It's an idea which I refuse to call a murder mystery, since it's not asking to be solved. F…